Demystifying Font Licensing
Wether you’re a font designer or a graphic designer who uses fonts, if you know anything about font licensing you’re probably scared of it. In this workshop with the Darden Studio CEO Joyce Ketterer, End User License Agreements (EULAs) will be discussed from both perspectives. Joyce has advised business both sides, in ever day transactions and in disputes. This workshop is designed to give an overview of font licensing and prepare you approach font licensing with confidence.
Workshop held in English
Ort: Designschule München
Roßmarkt 15, Raum 006 (V-Raum)
80331 München
36 € für tgm-Mitglieder und Partnerorganisationen 78 € für Nicht-Mitglieder
Max. 40 Teilnehmer:innen
Themen
Read and discuss actual licenses
Help participants get over the fear of reading legal documents
Understand the different modes of font licensing
Basic understanding of the idosyncrasies of font licensing in comparison to other kinds of software and design
Ziel
The goal is that participants will leave the workshop with a better understanding and higher comfort level with font licensing.
Zielgruppe
Both customers and font makers, but everyone who deals with fonts is welcome
Level
All knowledge levels welcome. The workshop is frankly at it’s best when we have a few graphic design students, a few font foundry owners and everyone in between.
Weitere Hinweise
No equipement needed but it’s best if you have your own pen.
Joyce Ketterer
Speaker, Font-Licensing
Dry and to the point, used for several design conferences: Joyce Ketterer joined Darden in 2006 and became CEO in 2016. In cooperation with the studio’s attorney, she is responsible for writing and enforcing the studio’s Licensing—a task to which she brings the real world experience of working directly with customers for both sales and license enforcement.
Weitere Veranstaltungen, die Sie interessieren könnten
Typografie für Kunst
Wer künstlerisch mit Schrift arbeitet, bewegt sich in einem weiten Feld der Möglichkeiten. Was spricht für die eigene Handschrift, was für Schreibmaschine oder Schablone und was für welche der unübersehbar vielen Satzschriften? Kunst braucht außerdem Typografie, wenn die eigene Arbeit via Website, Katalog, Einladung und Newsletter kommuniziert werden soll.
